THE DOTTED LANDSCAPE



Pedro Oliveira
THE DOTTED LANDSCAPE
DOTS IN THE FIELD OF THE METAPOLIS

A new reality
It is quite clear that the urban landscape has significantly changed in the last years. The verified complexity has been nominated in many different ways, but to the vast and polycentric shape that we call city (?) there are always three explicative phenomenon associated: tertiarization, globalization of the economy and culture and, proliferation of the information and communication networks. In fact, the technologies of the Information Era have changed irreversibly and transversely our notions of space-time. They were exemplary manipulated by the market logic, that, hungry of growth and change, potentiated all this events. Once that we are in a period of crisis, ideal to re-think paradigms, let's focus on the natural frustration with the market-driven architecture and urbanism. The concepts of reintegration/recycling/revolution at the spatial, objectual, functional, social, disciplinary levels, synthesize a reaction to this frustration. The obsolesced less is more and of the more is more gave place to the more from less. The tendency to a bigger social solidarity, to the intensification of the Human-Nature relationship and the approximation of natural (Ecology) and artificial models (material and immaterial networks of the Informational Era) starts to emerge, at the beginning of the XXI century.
Dots in the field of the Metapolis (1)
The contemporary theories of the most variate disciplines converge to the vision of a network-based existence, fill of interdependencies, in which all is interrelated. At the urban scale, this vision is easily visible in the definition of the Metapolis, polycentric. This new definition supposes a large-scale space where different centers, usually near an older city, are created, giving a response to the new needs. The attractiveness of a determined City-Region or Metropolitan Area is dependent not only of their physical mobility (material) but also from the social, economic and knowledge mobility (immaterial) - that allow us to "surf in the flows of fashion, happenings and environments." (2) If we make the experience of mapping the intensity of the social, economical and cultural relations and superposed it on the infrastructural urban network (in its formal vision) we would easily verify how they establish networks that are superposing and juxtaposing and creating nodes or dots of convergence. The bigger the intensity of the crossing is, the bigger is its attractiveness. In this formalization, a bit abstract, of the physical and metaphysical movements/flows, it's curious to see how the dots are the spaces of greater dynamism and intensity, contrarily to their usual definition of staticity. As a matter of fact, the concepts of constant movement and dynamism are fundamental in the contemporary society - "In the end the urban truth is in the flow". (3).
Old Conditions, new constructions
It matters, therefore, to think about what defines and characterizes each dot. Accessibility is the first and primordial condition to the appearing of a certain setting - it's valid in old cities as in new centers, this search for a location near a natural or artificial infrastructure that allows them to establish relationships with each other. Functional Diversity constitutes the second condition, defining itself as the possibility of a series of relations and synergies of great intensity in a short space (of time). And, at last, Symbolism, or the integration of forms and signs that build the support to orientation, fruition and construction of collective memory. The three vertices comprehend a great ability to transfigure from case to case, assuming different degrees of importance in each node or dot - exemplifying, symbolism, in its conventional and more memory-present shapes, is much more present in an older center than in a new centrality (that uses the aestheticization of architecture and of the day-to-day life, filling us with information and superficial stimulation).
The new paradigm is built up on the concepts of dynamism (the passage between dots or urban zapping) and of complementarity (the existence of a macro-logic, that gathers the needs of a large amount of population), as something associated to these dots or nodes. Towards a better knowledge in the way of building our cities, there's a third concept that deserves our attention: limit. The new centralities that appeared in the second half of the XXth Century share the fact they used the architectural materials of postmodern architecture, from which one can distinguish the aggressive way of closing on themselves. These enclaves impose to/on the territory, generating situations of great artificiality and perverting the spatial relations - being near no longer means that there are significant relationships.(4) Their relation to context don't translate, at all, the ideas of dynamic networks of interdependence between people, nature and technologies. It seems obvious, as well, that a radical opposition to this model (ie the total abolition of frontiers) doesn't constitute a reasonable solution. The porosity in urban tissues or the utilization of permeable membranes (in substitution of the post-modern walls and fences) are a possible solution and start to appear in some recent architectures.
A possible way out
Given the complex reality that was reviewed along the text, it's important to point a recent theory (that surely will be followed up by others who diverge in form but not in content), - Integral Urbanism, by Nan Ellin. It suggests methodology and attitudes that are able to give a more capable and complete answer to the contemporary problematic, focusing in five points: connectivity, hybridization, porosity, authenticity and vulnerability. This text ends with the beginning of Ellin's book, that explains the multiple sense of Integral Urbanism:
Integral - Essential to completeness, lacking nothing essential, formed as a unit with another part.
Integrate - To form, coordinate, or blend into a functioning or unified whole (...)
Integrity - adherence to artistic or moral values; incorruptibility; soundness; the quality or state of being complete and undivided; completeness. (5)        

Notes
(1) Ascher, François, Metapolis, ou, L'avenir des villes, 1995. The idea of Metapolis appeals to  the definition of “a group of spaces where the totality or part of the inhabitants, of economical activities, or the territories, is integrated in the daily functioning of a metropolis. It constitutes generally one set of job, residence and other activities, and the spaces that compose it are deeply heterogeneous and not necessarily contiguous. A metapolis has, at least, some hundred thousand of inhabitants.”
(2) Gadanho, Pedro, A arquitectura como performance, article in Magazine DIF 70. Also see Graham, Stephen and Marvin, Simon, Splintering Urbanism, 2001.
(3) Ellin, Nan, Integral Urbanism, 2006.
(4) Graham, Stephen and Marvin, Simon, Splintering Urbanism, 2001.        
(5) Ellin, Nan, Integral Urbanism, 2006.

- Illustrated  from: Kempf, Petra, You Are The City – Observation and Transformation of Urban Settings, Lars Muller Publishers - 
_______________
Pedro Oliveira
Architect. Porto

Other Articles in the same issue:
ANDRÉ SIER

PEDRO OLIVEIRA

PEDRO LEVI BISMARCK

ANDRÉ TAVARES


the powerful point



André Tavares
POWERFUL POINT
Notes on the operativity of theory and critic as decisive tools for architectural design


Hypothesis 1. Beginning
The Project begins with an indecipherable social compromise.  Critic and theory are an obstacle, if not handled with ability. For those who cannot draw, nothing worse than starting a project with a drawing. For those who cannot theorize, nothing worse than starting a project with theoretical activity. For those who do not know, nothing better than starting. Start, having in sight the power of all things.

Hypothesis 2. Strength
The strength of a project it's the amplified sum of energy used by all workers in the work construction. Without work, the project strength is the hope of this powerful movement. With the work, the project strength is the anxiety of this expenditure. In theory, the theory is the imagination of this incommensurable strength.

Hypothesis 3. Network
The critic fights the solitude. The critical dialogue is an act of solidarity, as the project is a collective act. Things are not powerful points that parade in linear sequences. The mediation processes don't misrepresent the heat of reality, are just another reality. The real is violent, exists, and the project is the way to another real. To cover this trajectory there are no sequences, just inconsequent and fruitful relations. Theory is lonely and useless. Critic is a navigation tool.

Hypothesis 4. Singularity
We are, inexorably condemn to solitude. The hypothesis of the construction of the real is the perfect scenario to share an illusion. Theory and critic can help compensating the unfair unbalance of architecture. In solitude, in the discussion, in the relation between beings that originate things, critic and theory are tools to be in. And being in, we can build a real that is not just singular.

____________________________
André Tavares
Architect. Professor. Dafne publications. Porto


Other Articles in the same issue:
ÁLVARO SEIÇA NEVES

ANDRÉ SIER

PEDRO OLIVEIRA

PEDRO LEVI BISMARCK

BERNARDO AMARAL



MORE TACTICS, LESS PLANNING?

Quando os convidados se tornam anfitrião / Porto. Práticas Urbanas em exposição na Culturgest

 - proposta do colectivo Freee. Slogans no espaço público -
Cidade, hospitalidade e espaço público
Está na Culturgest do Porto, até ao próximo dia 16 de Outubro, a exposição «Quando os convidados se tornam anfitrião/Porto: Estratégias artísticas para encontrar hospitalidade no espaço público». Partindo da contribuição de três colectivos independentes de artistas/arquitectos (Supersudaca, WochenKlausur e Freee) procura-se interrogar e ensaiar novas formas de hospitalidade na concretização do espaço público. Neste caso especifico, o território em experimentação é a própria cidade do Porto, onde os três colectivos instalaram os seus ateliers durante o mês de Julho, produzindo propostas concretas que focaram de forma geral três âmbitos não totalmente distintos: o problema da identidade na transformação acelerada das cidades (Supersudaca); o problema do processo da reabilitação, ou melhor, da reabilitação enquanto processo participativo (WochenKlausur); e o problema da relação habitante – cidade, através do espaço público (Freee).

OPEN CALLS // PUNKTO // 2 // DESTRUCTION



DESTRUCTION
OR HOW TO STOP WORRY AND LOVE THE BOMB!



EVERY ACT OF CRIATION IS AN ACT OF DESTRUCTION?

aprés Picasso


CALL FOR PAPERS // CALL FOR PROJECTS

PUNKTO // 2 // DESTRUCTION


Contributions on the issue: architecture, art and destruction
We look for inter-disciplinary and un-disciplined contributions 
able to offer a original and destructive scope over this subject
________

Contribuições para o número: arquitectura, arte e destruição
Procuramos contribuições inter-disciplinares e in-disciplinadas
capazes de oferecer uma visão original e destrutiva sobre este tema
_____

DEADLINE // 10th December 2010

Essays should not be bigger then 1500 words

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